The dated ideas reflected in Dracula focus primarily on the concepts of lust, sex, and evil as they were viewed during the late 19th and 20th century in what can be viewed as a strongly conservative society. At the time, sex and homo sexuality were controversial topics, with emphasis constantly put upon the importance of using caution and awareness when involving such matters and encouraging an overall chaste and modest lifestyle. Though society maintained strict social standards and expectations for both sexes, men were permitted many more freedoms and pleasures than their female counterparts.
Themes are the fundamental and often universal ideas explored in a literary work. The end of the nineteenth century brought drastic developments that forced English society to question the systems of belief that had governed it for centuries. Likewise, the Industrial Revolution brought profound economic and social change to the previously agrarian England.
Though Stoker begins his novel in a ruined castle—a traditional Gothic setting—he soon moves the action to Victorian London, where the advancements of modernity are largely responsible for the ease with which the count preys upon English society.
Van Helsing works not only to understand modern Western methods, but to incorporate the ancient and foreign schools of thought that the modern West dismisses. Without an understanding of history—indeed, without different understandings of history—the world is left terribly vulnerable when history inevitably repeats itself.
The Threat of Female Sexual Expression Most critics agree that Dracula is, as much as anything else, a novel that indulges the Victorian male imagination, particularly regarding the topic of female sexuality.
A Victorian woman effectively had only two options: If she was neither of these, she was considered a whore, and thus of no consequence to society. By the time Dracula lands in England and begins to work his evil magic on Lucy Westenra, we understand that the impending battle between good and evil will hinge upon female sexuality.
Both Lucy and Mina are less like real people than two-dimensional embodiments of virtues that have, over the ages, been coded as female. But Dracula threatens to turn the two women into their opposites, into women noted for their voluptuousness—a word Stoker turns to again and again—and unapologetically open sexual desire.
In fact, the men fear for nothing less than their own safety.The theme speaks volumes about the Draculanian culture whereby the feared perspective is made visible in the form of different sub elements as well as depictions that accompany its dissimilar and varied movements, the battle actions and so on and so forth.
Published: Thu, 11 May Human beings do not have the ability to posses omnipotent control over one another.
In Bram Stoker’s novel Dracula, however, Humanity, Dracula, God, and Nature influence each other, both directly and as an instrument, through . This theme of the rich vs.
the poor, the powerful vs. the weak, has historical roots as well as ties to the modern world. During Stoker’s life, this was highlighted by the aftermath of the Great Famine in Ireland, and the “irresponsibility” of British landlords (Kiberd ).
Dracula’s Message and Theme. Dracula’s message and theme The words of dracula mean more than is read by most. The Symbols throughout Dracula, have often been thought to mean many diffrent things throughout history.
Literary Criticism - Dracula by Bram Stoker. November 9, there is the theme of good and evil. This is shown through Mina and Dracula.
we cannot respond to every message. Also, if. Dracula: Theme Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.